Advisory Board

Justine Bannister (France)

Justine is an independent children’s media consultant with 25 years’ experience accrued most notably at 20th Century Fox, Disney Channels France, TV Loonland and PGS Entertainment.  Her skillset spans animation production, development and post-production, distribution, acquisitions, co-productions, marketing, brand and community management and project evaluation. Justine set up JUST B to provide Producers, Distributors, Festivals and Media Conglomerates with bespoke services whereby each project is nurtured from inception through development, production, delivery, commercialization and building the brand. 
More specifically these services include market readiness and international project launch workshops for producers and creatives, commercial strategy, financing, funding, project sourcing and evaluation, co-producing, adaptations (French & Spanish to English), casting, dubbing & post-production, International sales, marketing, communication and press.
JUST B clients include ICEX/Animation from Spain, NHK Japan, TFO Canada, Reed Midem, Toonmax Media China, Animation South Africa, Pro-Chile, Telefilm Canada, Go-N Productions France, The Shanghai TV & Film Festival, Banijay, Spider Eye Studios UK and The Tinker Group, a brand new network of European Producers.
Justine also sits on International Festival juries and works as an expert on project evaluation for national and pan-regional funding organisations.


Eric Goossens (Belgium)

Eric Goossens founded the production company Walking The Dog with Anton Roebben in 1999. The first project they were involved in was the Oscar-nominated animated film The Triplets of Belleville. Their The Secret of Kells also received an Oscar nomination. Alongside the co-production of animated shorts and series such as Kika & Bob and Picknick with Pie, Walking The Dog was recently involved in the CGI movie A Monster in Paris and the 2D-animation features Pinocchio and Le Jour des Corneilles. As an animation studio, they also worked on the promising film The Congress. Goossens is vice chairman of, an association of Belgian animation producers, and is the owner of the documentary production company Off World. 


Floor Onrust (The Netherlands)

Floor Onrust founded Amsterdam based film production company Family Affair Films, specializing in urgent and contemporary fiction of high artistic quality with strong author driven visions. 
Onrust produced features CODE BLUE by Urszula Antoniak (Cannes’ Director’s Fortnight 2011), children film LIFE ACCORDING TO NINO by Simone van Dusseldorp (written by Usrzula Antoniak, winner best film Cinekid 2014 and BUFF 2015) and HISTORY’S FUTURE, feature debut by artist Fiona Tan (starring Mark O’Halloran, Denis Lavant and Anne Consigny, nominated for Tiger Award IFFR 2016.)  Her credits include co-productions as NOTHING PERSONAL (Winner six awards Locarno 2009), THE BLUE WAVE (Berlinale 2013) and children film THE LABYRINTH (Toronto 2014). In 2017 two promising productions will premiere: Urszula Antoniak’s fourth feature BEYOND WORDS and Rosanne Pel’s feature debut LIGHT AS FEATHERS.  Guido van Driel’s second feature BLOODY MARIE (selected for the “Dutch Crossover” and receiving maximum production support by Netherlands Film Fund), will go into production the end of this year. Currently Onrust is developing Antoniak’s fifth feature STRANGER and van Driel’s children film THE YEAR WE LOST TO THE GERMANS.

Floor Onrust participated EAVE in 2011 and Toronto Producer’s Lab in 2015. She is member of the ACE producer’s Network and The European Film Academy.

Vicky Schroderus (Finland)

Vicky Schroderus, who joined YLE Finnish Broadcasting Company in 1997, is currently working as Acquisition Executive for YLE Television. When measured by ratings and audience satisfaction, YLE TV2 is the leading channel for children’s programming in Finland. It broadcasts over a thousand hours of children’s programming annually for a two- to twelve-year-old audience. Vicky is responsible for acquiring over 60% of this volume. 


Juliet Tzabar (United Kingdom)

Juliet has been working in media production since 1995, moving from TV dramas to produce interactive content in 2000.  Making interactive content for leading digital businesses, she has specialised in delivering interactive entertainment projects with a broadcast tie-in, largely focused at the children and family audience. Juliet worked as a producer at Victoria Real on the company’s ground-breaking broadcast-related digital projects such as Big Brother, River Cottage and CBBC’s Xchange.  She then set up and ran Scream Out Loud, one of the first ever businesses specialising in digital, interactive content for children. Joining Plug-in Media as a partner at the start of 2007, Juliet has established the company as one of the UK’s leading digital agencies. More recently she has been overseeing its move into original IP development, capitalising on experience within the kids’ content sector to originate, produce and publish original IP across multiple platforms.

Juliet serves on the advisory committee for the Children's Media Conference and is on the board of Wired Sussex. In 2011 she was a finalist in the Women in Technology Entrepreneur of the Year award.


Lily Yan (Canada)

Lily Yan is the Brand Director at Nelvana, responsible for managing the marketing initiatives for their brands worldwide. Nelvana is a division of Corus Entertainment, an award-winning international media company comprising production, consumer products, broadcast, and radio divisions based in Canada. As owner of the leading children’s broadcast channels in the country, Corus and Nelvana have a unique advantage over other producers in that they are able to fund and produce high quality animated and live action series and broadcast them in Canada; the result of which they then leverage to help place their series into international markets.  


Kresimir Zubcic (Croatia)

Kresimir Zubcic has been working with HRT since 1989 as scriptwriter, host or editor in several children’s docu-series. In 1996 he started with animation as an editor's assistant in the animation department. As time passed, he took over responsibilities for all foreign languages progammes for children and youth at the Croatian TV. Nowadays, he has approximately 4000 time slots for animated shorts, 52 slots for children’s films, 365 slots for youth series, 365 slots for children’s series and about 1500 slots for animated series.